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Okwui Enwezor and Chika Okekeagula and Contempoary Art Since Hte 1980s and Publisher

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Nigerian-American curator

Okwui Enwezor
Okwui Enwezor 01.JPG
Born

Okwuchukwu Emmanuel Enwezor


(1963-10-23)23 October 1963

Calabar, Nigeria
Died 15 March 2019(2019-03-15) (aged 55)

Munich, Germany
Nationality Nigerian
Occupation Curator
Spouse(s) Jill S Davis, Muna El Fituri
Children Uchenna Soraya Enwezor
Relatives Bernadette Enwezor (female parent)

Okwui Enwezor (23 October 1963 – 15 March 2019)[ane] was a Nigerian curator, fine art critic, author, poet, and educator, specializing in art history. He lived in New York City[two] and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.[iii]

Biography [edit]

Okwui Enwezor (pronounced en-Style-zər)[iv] was born as the youngest son of an flush Igbo family in Awkuzu in Nigeria in 1963.[5] In 1982, after a semester at the University of Nigeria, Enwezor moved to the Bronx, New York, at the age of 18.[5] [six] In 1987 he earned a Available of Arts degree in political sciences at the New Jersey City Academy.

When Enwezor graduated, he moved downtown and took up poetry. He performed at the Knitting Factory and the Nuyorican Poets Café in the East Village.[5] Enwezor's written report of poesy led him through language-based fine art forms such as Conceptual Art to art criticism.[6] Teaming up in 1993 with fellow African critics Chika Okeke-Agulu and Salah Hassan, Enwezor launched the triannual Nka: Journal of Contemporary African Art from his Brooklyn apartment; "Nka" is an Igbo word that means fine art only likewise connotes to make, to create.[5] He recruited scholars and artists such as Olu Oguibe and Carl Hancock Rux to edit the inaugural issue and write for it.[v]

After putting on a couple of small museum shows, Enwezor had his quantum in 1996 every bit a curator of In/sight, an exhibit of xxx African photographers at the Guggenheim Museum.[7] In/sight was i of the first shows anywhere to put contemporary art from Africa in the historical and political context of colonial withdrawal and the emergence of contained African states.[5]

Curator [edit]

Enwezor was the director of the Haus der Kunst, Munich, Germany. He as well had the roles of adjunct curator of the International Center of Photography[8] in New York City, and Joanne Cassulo Fellow at the Whitney Museum of American Fine art, New York Metropolis.[9] In 2013, Enwezor was appointed curator of the 2015 Venice Biennale,[10] making him the outset African-born curator in the exhibition's 120-year history.[eleven]

Previously, Enwezor was the creative director of the Documenta 11 in Germany (1998–2002),[12] as the starting time non-European to agree the job.[4] He also served as artistic managing director of the 2d Johannesburg Biennale (1996–97), the Bienal Internacional de Arte Contemporaneo de Sevilla, in Seville, Spain (2006),[13] the seventh Gwangju Biennale in South Korea (2008), and the Triennale d'Art Contemporain of Paris at the Palais de Tokyo (2012).[14] He also served equally co-curator of the Echigo-Tsumari Sculpture Biennale in Japan; Cinco Continente: Biennale of Painting, Mexico City; and Stan Douglas: Le Detroit, Fine art Institute of Chicago.

Enwezor was named an adjunct curator at the Art Institute of Chicago in 1998.[4] He also curated numerous exhibitions in many other distinguished museums effectually the earth, including Events of the Self: Portraiture and Social Identity, The Walther Drove, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography;[15] The Short Century: Independence and Liberation Movements in Africa, 1945–1994,[16] Villa Stuck, Munich, Martin-Gropius-Bau, Berlin, Museum of Contemporary Art Chicago, and P.S.1 and Museum of Mod Art, New York; Century City, Tate Modernistic, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In/Sight: African Photographers, 1940–Present,[17] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Eye, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty Ane Years, Museum of Gimmicky Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Fine art Gallery, Johannesburg, and Witte de With, Rotterdam.

He organized The Rise and Fall of Apartheid for the International Center for Photography, New York, in 2012[xviii] and "Meeting Points six", a multidisciplinary exhibition and programs "which took place in 9 Middle Eastward, North African and European cities, from Ramallah to Tangier to Berlin", then at the Beirut Fine art Center in April 2011.[19] His last exhibition, "El Anatsui: Triumphant Scale," co-curated with Chika Okeke-Agulu, opened on eight March 2019 at the Haus der Kunst, Munich, earlier it opens at Mathaf: Arab Museum of Modern Art on thirty September 2019.

Enwezor served on numerous juries, advisory bodies, and curatorial teams including: the advisory team of Carnegie International in 1999; Venice Biennale; Hugo Boss Prize, Guggenheim Museum; Foto Press, Barcelona; Carnegie Prize; International Center for Photography Infinity Awards; Visible Award; Young Palestinian Artist Laurels, Ramallah; and the Cairo, Istanbul, Sharjah, and Shanghai Biennales. In 2004 he headed the jury for the Artes Mundi prize, an honor created to stimulate involvement in gimmicky fine art in Wales.[xx] In 2012, he chaired the jury for Vera List Center Prize for Art and Politics.[21] [22]

Teaching [edit]

From 2005 to 2009, Enwezor was Dean of Academic Diplomacy and Senior Vice President at San Francisco Fine art Institute.[23] He held positions equally Visiting Professor in fine art history at University of Pittsburgh; Columbia University, New York; University of Illinois, Urbana-Champaign; and Academy of Umea, Sweden. In the Jump of 2012, he served as the Kirk Varnedoe Visiting Professor at Institute of Fine Arts, New York University.

Publications [edit]

As a writer, critic, and editor, Enwezor was a regular contributor to numerous exhibition catalogues, anthologies, and journals. He was the founding editor and publisher of the disquisitional art periodical Nka: Journal of Gimmicky African Art established in 1994, and currently published by Duke Academy Press.[24]

His writings take appeared in numerous journals, catalogues, books, and magazines including: 3rd Text, Documents, Texte zur Kunst, K Street, Parkett, Artforum, Frieze, Fine art Journal, Research in African Literatures, Index on Censorship, Engage, Glendora, and Atlantica. In 2008, the German mag 032c published a somewhat controversial interview with Enwezor, conducted by German novelist Joachim Bessing.[25]

Among his books are Contemporary African Art Since 1980 (Bologna: Damiani, 2009) co-authored with Chika Okeke-Agulu, Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity (Durham, NC: Duke University Press, 2008), Reading the Gimmicky: African Art, from Theory to the Marketplace (MIT Press, Cambridge and INIVA, London) and Mega Exhibitions: Antinomies of a Transnational Global Grade (Wilhelm Fink Verlag, Munich), Archive Fever: Uses of the Certificate in Gimmicky Art, and The Unhomely: Phantom Scenes in Global Gild. He is also the editor of a four-volume publication of Documenta 11 Platforms: Democracy Unrealized; Experiments with Truth: Transitional Justice and the Processes of Truth and Reconciliation; Creolité and Creolization; Nether Siege: 4 African Cities, Freetown, Johannesburg, Kinshasa, Lagos (Hatje Cantz, Verlag, Stuttgart).

Recognition [edit]

In 2006, Enwezor received the Frank Jewett Mather Award for fine art criticism from the Higher Art Clan.[26] Enwezor was ranked 42 in ArtReview′s guide to the 100 most powerful figures in contemporary art: Ability 100, 2010.[27]

Affliction and death [edit]

In June 2018 Enwezor signed a separation understanding with Munich Haus der Kunst, partly because his battle with cancer took a more than challenging plough.[28]

Enwezor died on 15 March 2019 at the age of 55.[1]

References [edit]

  1. ^ a b Russeth, Andrew (15 March 2019). "Okwui Enwezor, Pivotal Curator of Contemporary Art, Is Dead at 55". ARTnews . Retrieved 15 March 2019.
  2. ^ Rutger Pontzen, "I accept a global antenna" (Interview with Okwui Enwezor), in Virtual Museum Of Contemporary African Fine art.
  3. ^ "2014 POWER 100". Art Review. Archived from the original on 29 June 2015. Retrieved 23 Jan 2015.
  4. ^ a b c Celestine Bohlen (12 February 2002), "A Global Vision For a Global Testify; Documenta Curator Sees Fine art As Expression of Social Change", The New York Times.
  5. ^ a b c d due east f Zeke Turner (viii September 2014), How Okwui Enwezor Inverse the Art World Wall Street Journal.
  6. ^ a b Roberta Smith (28 October 1998), "Nigerian to Directly Next Documenta", The New York Times.
  7. ^ Adam Shatz (2 June 2002), "Okwui Enwezor's Really Big Testify", The New York Times Magazine.
  8. ^ "Interview With Okwui Enwezor, role two | BaseNow". 8 March 2012. Archived from the original on 8 March 2012. Retrieved 16 March 2019.
  9. ^ "Okwui Enwezor La Triennale". La Triennale de Paris. 2012. Archived from the original on 18 Apr 2012. Retrieved five Oct 2012.
  10. ^ "Okwui Enwezor leitet Venedig-Biennale". Monopol Magazin. 2013. Archived from the original on 11 Dec 2013. Retrieved 4 December 2013.
  11. ^ Javier Foot (four December 2013), "Okwui Enwezor named director of the 2015 Venice Biennale", The Art Newspaper.
  12. ^ "Documenta eleven: Okwui Enwezor". Universes in Universe. 2002. Retrieved five October 2012.
  13. ^ OKWUI ENWEZOR - San Francisco Art Found Archived 22 Apr 2008 at the Wayback Machine
  14. ^ Journal des Arts no. 334 (5–eighteen November 2010), p. 3.
  15. ^ Fabrizio Gitto, Archive Fever di Okwui Enwezor (2008): nuove fonti per l'analisi di una mostra di successo, "RSF. Rivista di studi di fotografia", IV, northward. 8, 108–122 [one]
  16. ^ Roberta Smith (17 February 2002), "A Show That Dares To Span a Continent", The New York Times.
  17. ^ Holland Cotter (v July 1996), "By and large African Scenes, All past Africans", The New York Times.
  18. ^ "Rise and Autumn of Apartheid: Photography and the Bureaucracy of Everyday Life". International Eye of Photography. 2012. Retrieved five Oct 2012.
  19. ^ "Meeting Points 6. Locus Agonistes: Practices and Logics of the Civic". Beirut Fine art Eye. Retrieved 5 Oct 2012.
  20. ^ Alan Riding (xxx March 2004), "Creative person Who Worked With 9/xi Dust Is the Commencement Winner of a Welsh Prize", The New York Times.
  21. ^ Vera List Center Prize for Fine art and Politics, The New School, New York.
  22. ^ Randy Kennedy (xi November 2012), "New School Prize Goes to Theaster Gates", The New York Times.
  23. ^ Carol Vogel (v Dec 2013), "Okwui Enwezor to Be Visual Arts Director of Venice Biennale", The New York Times.
  24. ^ "NKA: Journal of Gimmicky African Art" at Duke University Press.
  25. ^ Joachim Bessing, "The only matter that modernity teaches us: at that place are no innocents", 032c issue 15 (Summertime 2008).
  26. ^ "Awards". The Higher Art Association. Retrieved 11 October 2010.
  27. ^ "2010 POWER 100". Art Review. Archived from the original on 29 June 2015.
  28. ^ Ulrike Knöfel (Baronial 2018). "'Information technology'south An Insult, Yes': Okwui Enwezor on his Ignominious Farewell from Munich - Frontpage - eastward-flux conversations". conversations.e-flux.com . Retrieved 15 March 2019. (Originally published in German at Spiegel Online, 17 August 2018.)

Bibliography [edit]

  • "From S Africa to Okwui Enwezor", Centro Atlántico de Arte Moderna, 1998.
  • Carol Becker, "Interview with Okwui Enwezor" in Fine art Journal, 1998.
  • Ballad Becker, "A Conversation with Okwui Enwezor" in Fine art Periodical, 2002.
  • Okwui Enwezor, "Life and Afterlife in Benin", about Alex Van Gelder'southward twentieth-century African photography collection. Phaidon Press, London, 2005.[1]
  • "James Casebere speaks with Okwui Enwezor", La Fábrica, 2008.
  • "Interview with Okwui Enwezor" in BaseNow: Mixing business organization with pleasance, 27 March 2009 (2 parts).
  • Okwui Enwezor, "Documentary / Verite: Bio Politics, Man Rights, and the Figure of Truth in Contemporary Art" in The Green Room: Reconsidering the Documentary in Contemporary Fine art #one, Eds. Lind, Maria; Hito Steyerl. Sternberg Printing (Berlin: 2009). pp 62–104

External links [edit]

  • Artkrush.com interview with Okwui Enwezor, May 2006
  • Interview with Okwui Enwezor on PORT
  • Biography for Okwui Enwezor
  • Okwui Enwezor in conversation with Anthony Downey
  1. ^ "Life and Later Life in Benin". Winter 2005.

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Source: https://en.wikipedia.org/wiki/Okwui_Enwezor

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